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"Payne Zhu | MATCHPOOL" is the term 3 of the C-Space Project at OCAT Shanghai. The exhibition title is both the Chinese young artist's latest work and a brand new clue that encapsulates the many creative scenarios that allow viewers and the creator to revisit since 2015.
Korean artist Kelvin Kyung Kun Park’s exhibition “When Tigers Used to Smoke” at OCAT Shanghai, unfolds around the shaping of the self; for Austrian artist Oliver Laric’s exhibition entitled, “Exoskeleton” at OCAT Shanghai, his first institutional solo show in China, a trilogy of recent animation films completed between 2014 and 2021 will be presented together for the first time.
The exhibition curated by Dai Zhuoqun features a sample of Chinese video art since 2000, showing 21 artists whose primary medium of practice has been moving images, with works spanning 21 years from the beginning of the 21st century to the present.
OCAT Shanghai is delighted to present the exhibition with/against the flow: Contemporary Photographic Interventions from April 17 to June 20, 2021. This exhibition is part of a series on contemporary photographic interventions organized by ifa (Institut für Auslandsbeziehungen) and is co-curated by Florian Ebner and Christin Müller.
Shifting from questioning the nature of "matter" to the dualistic system of human cognition, then to geometric mathematical experiments, Liao Fei’s art practice deduces the existence and operative patterns behind the "material world" of our perception and experience through abstract and sensual art scene expressed in common mathematical and physical logic.
The exhibition proposes a re-examination of the artists approach to the video medium rising from East Asia and contributes to the global history of video art as a transnational contemporary art medium.
